Hey! Wanna Join A Cabal???

Hey You! Yes YOU! You in the glasses! (that was just for me)

Yes I have a great opportunity, big payouts, we finally take down ‘The Man’. Just you and Me and a couple hundred thousand friends. We’re gonna cabal the night away.

That’s why you don’t see this blog anywhere else. This is just for Us. Shhhhhh….. You may note from my usual method of screaming ‘PAY ATTENTION TO ME!’, this ain’t that. Sure, I will post on walls (even a bathroom walls but the number always gets wiped away…) feeds, pages… if I wasn’t so lazy I would post bills and hang flyers….but going out side is so 2019.

Nope, its just us now. So chilllll…relax…let me drop some knowledge. This is the birth of the Cursive Cabal.

So…if your reading this….you’re interested in what I have to say. And if you read any of my previous blogs, you will note I’m not exactly a deep thinker. This will continue that grand tradition. But…more honest. Cause I am among friends here.

So….Cursive is Code. This is the new band, this is my new Magnetic North, this could be the last band. Who knows, right? Cause not all the members of this band will make the record. If you read this before, you know exactly what I mean.

Here is the tale: So when Grimm kicked the bucket, I decided to follow my expected route of Singer Songwriter sensitive heartbreak route. And I brought in Grimm Cello player Julie Kay to help me. I never discussed this before, but she helped me beyond any expectation I had. It wasn’t simply the beautiful playing or the Astral Weeks style bass thing she brought (which ticked off one of my musical fantasies). She was playing hurt. She was scheduled for a surgery…and she came down to the basement and sat uncomfortably, in genuine pain…and would grin and bare it.

If I had…if I was better at being human….would I suggest she not come, not put herself through excess pain? I can say we don’t know…I can also say it made no difference at all cause she was going to come anyway. She believed in what we were doing. She believed in Me. She would work her way down the stairs to sit in my bachelor pad (which looked a lot like a 13 year old’s basement except more cheesy keyboards…I think that was captured in a video somewhere….) or take a trip out to Collinsville to work on some songs with old music mate Adam Hagymasi, who did about half of everything on that record. If it wasn’t an E Bow (That’s Hogan) or fumbly acoustic (Moi), everything else was Adam. But Julie would take these trips with us while we worked out the basic tracks.

The record turned out good. I still have some free downloads if you want one.

This was….or wasn’t…I cant be sure…when I fell in love with Julie Kay. We did not connect till about a year later. And…Wow. We grew much closer. And live happily.

Anyway….yes, this is more honest…more deep .. than I expected to go…

So, a Misery Monkey like myself, now all flush on new love… time for my next record. I mean…I live with my band! (Julie) It was a test of my theory that writers write best when mostly miserable. And I was right! Unfortunately…

I was blocked. New happiness made no songs. And I somehow wised up to the fact that forced unhappiness is just dumb, dumb, dumb. Look around now. You just never know.

So I lived happily…and even the anguish of not creating abated a bit. We formed a band based on the acoustic sound, played some shows, had some fun. I was writing new songs but I just could not get motivated to do something with them.

Meanwhile….a bit of history. Dave Hogan and I started together in our first band….and played together from project to project the entre time I knew him. Our musical tastes were different…and always had been since age 20….but we came together on a mutual love of vintage guitar rock and British Glam. So Humble Pie….Mott The Hoople…Black Sabbath….BOC…..despite the time and tides of projects and bands, the friendship was based on these fundamentals. I don’t mean that to sound tribute or light…sure we came together on a few bands and differed in so many ways…but the way we loved these bands was zealous. Religious.

And we had an often discussed plan, a goal. One more BIG rock band with me and him. He always wanted to just be a musical director in some project…and I wanted to re-use the voice I cam up singing with, less croon, more rock.

So I took this to heart and started writing again. It was not easy. It was Karma. I was always fortunate that I could write on a dime. It was my Super Power. Sure not every song was ‘It’s Alright Ma I’m Only Bleeding’ but I could attach a half formed thought with a half formed melody and shake some shit up. Not this time.

I had my concept. I wanted to write a series of songs reflecting Dave’s and my coming up through the local music ranks. Targeting specific gigs, specific experiences. The significance of this to me was that all these tales turn quaint when balanced against the entire industries apple cart getting upset by the Internet. All the old plans, the old expected results, the long time argument tween Dave and I if excessive gigging helps or hurts…. I had my concept. And dug into it.

It was rough. I will say that I had to return to rhyming dictionaries. I had to try every trick suggested on every writing site. In time…it came. It did not break out like a dam; it trickled like a stream but still filled the record.

It was not just the band concept I was working with…I also had the excitement of being happy and in love…so those songs were written right along.

So I bought an electric guitar and Julie played keyboards. Did I know Julie could play Keyboards? Not at all. Can she play? Like a MotherFucker.

Then a year in the desert looking for musicians. I had not done this…actually my only experience doing this was Grimm…. And CC and I muse that we still don’t know how we got so many people involved, taking trips out to Windsor  and making something beautiful. This time was less successful, more anguish and wholly disappointing. EXCEPT….We found Dan. Dan plays bass, as well as banjo, classical guitar….and most important, was good fun to play with.

But the record was not getting made. No drummer. I worked on it with my vintage Korg Dr Rhythm Drum Machine (favored on RUN DMC’S biggest hits) and made a few tracks’, but others were beyond my rhythmic imagination.

Enter Julie, with yet another unknown talent on display: beat maker. After we upgraded the keyboard, out of frustration more than a plan, she started coming up with beats and we started recording properly. And it worked.

With unexpected results. The songs were danceable. I never created anything danceable unless you count bouncing uncontrollably as dance. Also….after working exclusively with acoustic for years…I was really digging the Electro Sound. It sounded vintage to a scene I never listened too. This was Julie influence. She opened me up to sound and brought those sounds right home to Deep River.

So now….Hogan. Weapon X (he would appreciate the comparison). And I sent him the tracks with a note on the envelope that exclaimed ‘Our Mott The Hoople Dreams contained within’.

And I was too late. And I will never forgive myself.

But Hogan was more than a friend and a stunt guitar player. He was a Saint. I never would have conceived of that when we were kids. But going to his funeral…the pure Love of all of his friends, the real heartbreak of losing a cat before his time. This record became important. Cause these songs were written with him in mind, his style, his background vocals. Based on experiences he and I both lived through…and lived with.

We often had discussion of we were just both legitimately crazy still chasing this same dream when every conceivable outlet turned against us. We always reached the same conclusion: We were.

I miss him every day.

Anyway….so back to Julie and Me and the record. We dug in….I played more guitar, more than I ever thought I was capable of….Julie brought out the strings and horns from the Juno….and we started crafting what would be and currently is Cursive is Code. The name came from a late night conversation tween Julie and Me of how generation of kids no longer recognize, much less can write, Cursive. That made it feel like a secret language, something shared among those who know.

Like You.

We put out our first song, The Grand Libido, found here: https://soundcloud.com/jason-p-krug/the-grand-libido-cursive-is-code

If you want to get ion on the secret action, follow this blog.

If you want to join the Cabal Mailing list, send me your email at jpkrug@gmail.com

We will be sharing a new song every few weeks. When such a thing is conceivable, we will be taking this show on the road and playing your town. Or the next town over.

Be One With The Cursive Cabal. And together we can…… (add impossible dream here)

Hey! Wanna Join A Cabal???

A Curmudgeon’s Guide to The Apocalypse

Hello Beautiful. Yes, you. Hi ya doing, Sweetness? Since everyone is either pairing up or bachelor’ng up till the storm passes, I assume we can be a bit more…intimate. Right? Yes? Ja?

Ja.

But maybe a bit of foreplay? Aww shucks, for you Kitten, anything. I know you can’t get enough of my blathering on like my opinion matters to anyone, so…this is for you, Hot Stuff:

I am a man before my time. I am version 5 of the model (of Man). I see the future and is the future.

I am The Omega Man. And guess what? So are you.

I was Social Distancing before it was all the rage.

Do you think I did NOT want to come to your gig / wedding / rescue? No, Sugar, I was training. For this.

Do you think it is easy walking around this brain with all of there genius thoughts and not near enough people to inflict them on? I had to wait.

It was a dream I had (that’s a lie; I don’t dream) that there would come a time when the whole world would see the appeal of the Curmudgeon. And now they line up at my door. Which I will never, ever open.

The very concept I hear tell of is how people need social interaction and are willing to risk their health to get it. The idea that restaurants and bars and casinos will close due to virus.

Yes, we are in the first 20 minutes of every zombie movie ever.

So since I’m all skilled and such and doing the Solitary thing, I offer some advice to those over grown with Social Engagements:

  • The Internet. The Internet gives madness and takes away sanity. Plus cat pix. But consider this: if you hear a guy in the park screaming about the coming Apocalypse, I don’t think you would take that as a viable news source. Now consider if you don’t see the park, don’t see the stool he stands on. Is he more viable? Now give him a Twitter. My point is people spread disinformation. Its not our fault, it’s fun! Do it! Do it now! The Earth is flat, Bigfoot exists, Wheeee!
  • Activities. What we rarely get is a place where the World stops and we have the chance to try something we never have. Like meditation or meth. What we have hear is a global pause button engaged. So what have you always wanted to do? You have a few weeks, maybe months, so turn off the TV and Make It Motherfucking So.
  • Go outside. Listen…I know. Outside is scary. But they have cool stuff out there. Sun (occasionally). Trees (a lot of those bastards). Grass (not yet). Consider this a time slip. You have gone back in time 200 years…or forward 1200…either way, no one is around. Skinny dip? Yes. Skinny BBQ? Yes. Skinny ride home? Sure.
  • Think Big. As noted, the World doesn’t stop for us very often. But here we are. So what new windmill will you be taking on? This is a freaky time. Aim high. But stay low.

Lets make the most of this Apocalypse. Yes, we will one day look back at this and think ‘What a time…’

…. or we won’t, whatever. Regardless…the Future Goes This Way ————>

A Curmudgeon’s Guide to The Apocalypse

Dear Dave… (or Darling Fascist Bully Boy…)

Hello. We lost a Good Man, My Friends. I was crafting this personal history of Dave and I to present to him when he was feeling better. Something so he was fully sure of the impact he had on my life and the life of the countless others he called ‘Brother’. It’s personal, full up on references earned over a 35 year friendship.

Hello Cap’n.  

These days have had me reflecting on the past, the meat of what mattered and how I got here. And as I gaze back at what would be my most full moments, you were there, stage right, holding it down, joyous, celebratory, a quick grin between us when the harmonies hit just right and the song sails. This brings me back to the very beginning. Verillis garage.

This is where we met. And I remember it all, the state of the clutter, the too small space   the blue aria pro, Vic smashing shit like a Muppet, the irrepressible Verilli acting every inch of his eventual occupation (not the drug store, the LA Hair Metaler) , you focused and concise…and so fucking young. I was too but I don’t see me here. I see you. Fuck you looked 15 but played like 50. I still remember the swells of Remember Tomorrow, the barnstorming of Tyrant. I remember the feel of really doing it, really singing into that mike, barking, and all my dogs barking with me. And Mrs Verilli. A true cartoon dragon of there ever was one, we, hard teens, metal heads, drinkers, druggers fuckers all hiding silently and wide eyed when she got home.

We were the classic 80’s movie that we did not know would be classic…cause it was the 80’s. We fought the popular kids with their poofy hair and van halen set. All the girls went dewy at the very site of Drew and the boys. And we brought pure fire. Pure anger. Purity. These are not our songs but you motherfuckers are going  to hear them anyway. Loud. Fuck you all.

And I flash forward a year, a year of beginnings, a year of you blowing my mind in Scots basement with every new song you learned the night before. Yes songs. BOC songs. It was really intimidating.

You have always been like that, or appeared that way. Focused. Cocksure. Correct. I’m sure you had doubts. I’m sure you had fears. But they never crossed your face or spun up your voice, in song or in jest.

One year later, one year of basement playing, one year of focus to do what we always wanted to do: not simply ROCK but rock with songs these people should know. The UFO set. Rock Bottom, the room would fall away and its you and that solo… Let It Roll. Only You Could Rock Me (Rock Me). We won that night.

Afterward I remember Wizards Lament….my first official song and how everyone came together and started adding their parts. And I remember it all falling apart. You hooked up with Scot, we became a cover band, I started the Basement Apes with Fetcho.

And this was the part where you became my nemesis. It’s a place of honor. While we wiled away our mornings and late evenings writing, recording, The Rafter Bats ascended. I think it would be a little late in the game to say I was coooool with that. I was jealous, plain and simple. You created something that had not been created yet, much less mass produced and genrefied. You were the first Bluegrass Rock and Roll band and it drove me mad.

I will always remember the moment I heard you on WPKN, the whole band playing some live tunes on a Saturday morning. And it sounded amazing…groundbreaking. And I called you at the station. I was out on the air with you. And captured the most uncomfortable 5 minutes of radio in existence. I’m counting the Hinderberg, by the way. I said ‘Hey!; and heard grumbles and very guarded responses from you and Dennis. It was hilarious. Soon after I caught your act in Greenfield Hill in Fairfield, that farmers market and we were in communication again.

Thing is….I drew such inspiration…such pride,..that you liked what I did. It wasn’t simply anyone liked it…it was you. And I knew you were no bullshit so your not going to bother aligning with me if you did not believe in what I was doing., And that made me press farther, push harder. And when I shared the tapes of what I had been doing, The Great Upsetters came to life.

It’s a mystery to me why that band did not go farther, and this time it was not from lack of trying. But fuck man…the times we had. The Post Office bar in Bridgeport with the undertaker bartender (Tins sister, if I remember) and the hookers and the crack addict. And this was one of those moments that meant the world to me. That empty bar, half the band tripping on acid, the other half hopelessly drunk, and when we kicked into Like A Rolling Stone…a song I don’t believe we ever played before and barely knew the words between the 5 of us….and when we started that, that 5 person draw sang like a crowd of 1000’s. Everyone screamed every word.

I don’t know if we got paid that night. I don’t know anything about that night except for that moment and the raw feelin of being fucking alive and sharing something with folks who wanted it.

And somehow we feel into the Ticketmaster National Showcase. Christ, remember that set? I bet you could still play it without much encouragement. We had it down to a super tight 38 minutes. What was it…10 songs? With the intro and outro of The Great Upsetters, the funky darkness of Something Missing, the sweet harmony of Whose Really Where. I was always proud at how we worked. We jammed hard but were never a jam band. We were focused to serve the song, that was the endgoal, and that was what we did.

The one moment you missed from that night was me changing for our set at the Holiday Inn and coming down the elevator, Phil Mogg walked in. I was in my fucking stage gear. I had to say something. And I did. En quote ‘ omg, Your Phil Mogg, your my hero and my band of UFO worshipers is just about to play a set for a national contest across the street and your band is the reason’….I said it likely faster than that with my eyes likely spinning around like a googly doll. He was polite, amused, and thanked me and wished us well.

Then onto the show. Another of these moments that I look back on and you were there right next to me. We killed it. A perfect set. Girls screaming like the fucking Beatles. Magic. Just the wrong decade. 5 years later our 70’;s worship would have been hip again. Right outfit, wrong year.

Hopi Fest. This was not something amazing musically…it just showed what an original bunch of crazy crackers we were. We stormed that stage long past anyone wanting to hear it. But we did not care. This was The Upsetters…and by definition anything the Upsetters wanted to do they did.

And the end of the Upsetters. I broke up bands for the same reason I am writing from a day job today versus my yacht…fear of success. I know it was me. I would start to think all artisty and start thing of something that would fulfill me. 

I did not know then these memories would hold and hold me to answer for. I did not expect to live this long.

And I made my solo record with the invaluable help of more Hogan stock, Bill Becker. I got to know Bill pretty well during the GU year in his role of…well everything. And he was a killer bass player and partner for me. I miss him right now, even as I write this. He was a good man without any of that icky goodness that corrupts good men and makes them dull. 

While Graylight Campfire ascended. Prick.

I remember a gig DayDrug did with Graylight (which I don’t think I dreamed…but who knows?) and introducing you as my friend was a point of pride. By that point, we were not simply friends. My family has not been as much family as you have. I know that sounds strange. I do not make a lot of friends. Its not a plan, a design, just a circumstance of being self obsessed.

But you are my friend. You are beyond that. We became brothers on this trip. 

You have a lot of brothers, Dave, A lot of people who believe in you. Enough people who admire you. You are a beloved commodity. You inspire such…reverence when your name comes up. You think Im being fancy, but I assure you are not. It’s a shame we never really know our standing till standing is no longer an option. 

This month….. I looked at what I have accomplished in my life as an artist…and I had some successes…and you were there beside me, holding it down, holding us up, bringing that unmistakable but astral tone in your sound, in your very soul.

A lot of people love you, Dave. Admire and love. You need to know that. I don’t think we ever get this explained to us when we need it, so consider me Professor X:  Nothing is the same after you. You are legendary and that will grow with everyone who ever knew you.

Then Grimm. I stand by the fact that my favorite period of GG was the trio. You and Me and CC…meeting imitation Bill Clintons, playing the always drama packed Swan gigs, the video for Nothing Astral…your PART on Nothing Astral still one of my faves off the cuff Hoganisms…… recording up in  Storrs with Dennis along, Fuck….. Graylight / GG set at Ideat Village which…Wow…….

I mean…we created a form of rock and roll, something that was compact but fully loaded, 3 people, 2 with instruments. And a set of songs honed down and fine tuned.

Then Lys. Seeing you two sing those Gram songs was….incredible. You too added something into them that the countless covers missed…maybe it was a true love, maybe it was revelry….. but I felt like I had a hand in something good by putting you two in the same room. I know she thinks the same thing. I always picture us in that horrible sounding space museum…. And the Daffodil Fest, with you and Lys on the remarkable non rainy Daffy day. The 2 Boots shows.

On that point….the picture. The picture taken at Café Nine of just you and me on stage. Of when you were doing an early acoustic set and I cam down. A Friday I believe. How when I saw you…and you saw me….every wrinkle of the past had faded, every sharp left turn evens out….. and it was meeting an old friend and it took that moment for me to really recognize the trip you and I had been on. We were older men then…older still now…but we just grined at each other with a look like ‘well that was a time, eh”…and played the Upsetters songs, near perfect.

Cause our harmonies……was something beyond talent or skill…there is an understanding on how our instruments bend and warp around each other. That’s history in action. Its beauty in repose.

Anyway…the GG machine rolled on, now with you in place for the Big Fame record and shows. Yes, I regret not having you on Dizzy. Yes, I regret not having you on every track. But the shws…the radio play, culminating in the big time times 2: playing for the Tom Tom Club and WPKN Sunday Brunch. 

I still laugh when I think about you at McLevy hall, being wholly UNIMPRESSED by the literal Rock stars watching. It impressed me and CC and I were always good for a star fucking. And GG was gone. Poof.

Onto me beginning of this phase of my life (while Graylight ascended…did I say prick? I did? Cool) which started with Zen. Not in a literal sense…I was insane at the time. But you were there too. You were there with the necessary rock and roll Dave/J back up on Last Days Of Rome….the real picture of how talented experimental you were on the ebow shit which really made those tracks.

But what I recall best is the radio show. Me coming on to introduce Zen on your WPKN show. Still on my soundcloud as I listen to it from time to time. Not to hear me, monitor my performance. To hear Us.

It is a conversation shared publicly of you and me just talking shit, not sharing secrets that we both know. There is a love in this conversation and this interview sits upon things I am proud of. Cause we were brothers, separated by bold, by circumstance, miles, poverty. Our dreams glimmered gold while our wallets got lost. 2 men coming from the same war, and an easy acceptance of what we have been dealt. 

Now…not so easy. Cause this is not fair. This is not right anymore. I could listen to that conversation forever. It is friends. Veterans of the same psychic wars. One still more practical than the other. My madness tethered by your cool. An amazing team. A perfect match.

Except my art made me want to try everything on the plate while your steady hand held the rutter and kept you focused on the horizon where everything glimmered like a future coming.

I am an eccentric and you are a working man.

But it is not fair, make no mistake.

I did it. I wrote that record. The Mott one. The one where you get to be in the sainted seat of music director…some singing….real rock and roll shit. Its about everything I out down here. The trials and tribulations of limonene dreams.

I wrote it with the clear image of some future stage where your standing stage right and leading the band through the songs…you have a smile on your face…it looks like peace.

Dear Dave… (or Darling Fascist Bully Boy…)

A Life Lived Loving UFO Documentaries

So when it gets to be nighttime, post evenin’ activities (of course), while others count endless amounts of barnyard animals, you will find me staring, open mouthed, maybe drooling just a bit (like Rock Stars do) watching and endless supply of UFO documentaries. The specifics are irrelevant. It is always this guy saw that and that Government said its that. And no body believes anyone. And for reasons unknown, this endless babble equate to the sound of pan flutes and gentle rain on my consciousness and I drift away into a dreamless sleep.

I think it has something to do with my wiring. I think listening to other people work out impossible problems while tucked away under a blanket is my version of Meditation. It comes with certain rhythms, certain symmetry of repeating phrases (Conspiracy, Hopkinsville, Area 51, Wright….. Conspiracy, Hopkinsville, Area 52, Wright…. I can barely type this without falling into a bliss rut)

Let me say this clearly: I believe in UFO’s (and not mainly cause I am a stoner…but…) and if you do not, you need to make the math work. If you can convince me that everything from Ancient Aliens to Best UFO’s Ever Caught On Tape (yes, that was the 80’s one.) is just one big grift, I welcome this.

Life is a mess of expected outcomes. You are born and (in the best case) you grow old. What mystifies you as a child now hangs from your rear view mirror. Bright and shiny things to catch your eye and let the World outside ran around uncaught. We are lacking mysteries these days. We are too smart and far to dumb to do anything other than plunder every dark corner with information, obligation to set everything in a the proper light.

I like the sound of rain. I love the sound of our chimes ringing on the porch. I enjoy the ageless whistle of the train. But to put me into that real rest driven mood, I need endless white people spouting pseudo science. Not UFO specific….any ole’ clap trap will do.

I love theorists. Not theory so much as the people who put the time in to make these ideas bubble above the surface of their minds. Like the Ancient Aliens trick of saying ‘Ancient Alien theorists believe….’…which lends type of gravity to whatever they are saying…but a theorist is someone with an idea. You are a theorists. I am too. I have theories on UFO’s. And lunch. Cats. How to achieve that dead eyed look while living the Life of Reilly.

We are all defectives….wait……detectives…..and this World is our gritty city to bring into focus. Its our city to learn, to believe, to disbelieve the residents. We are allowed to create mystery where the World wrings them out, one by one.

It takes a special type of human gall to reason out the lack of Bigfeet running around is based on the idea that they are inter dimensional creatures.

Its takes a village to deny a village ever existed on the floor of the sea.

It takes a networks worth of pseudo science to put this boy to sleep.

A Life Lived Loving UFO Documentaries

Testing 1…2….Testing 1…2

Happy New Year, ya filthy bustards (it’s a type of bird and now I have taught you something).

I am a simple machine. I am the definition of sanity in so much as I do the same things over and over and make them fly.

Did I get that right? No, I did not.

So here we are at the precipice of what started this blog in the first place. If you are not aware what that means, start at the first Blog and wit till you get here.

I’ll wait. Dooo Do Doo Doo Duh Dooooo Duh Doo. Dooo Do Doo Doo Duh Dooooo Duh Doo.

(Sing along at home! the words are Dooo Do Doo Doo Duh Dooooo Duh Doo…..)

Done? Sweet.

So here I am home recording a record. A theme record. Even a concept record though the concept is loose and filled with holes. So theme.

As you can recall from just rereading every Blog I produced (you did, right? Right?? RIGHT????) that this Blog came about to take my mind off of making a record. It was a heavy record for me, emotionally, not sonically.

And when I did what people of my ilk do (record a heartbreak record and hide for three years), it was satisfying. A good record too. I’m proud of it. I had one goal for that record: I wanted someone to hear it and understand the wild weeds of how I really felt, I wanted to help someone, to let someone know that they were not alone. And I did get that.

And I should have made the goal mansions and brand new cars. Live and learn.

And then I sunk into the luxury of living a good life. I’m dumb but quite happy. She makes my planet spin and also plays a mean piano.

I always felt my own misery was my muse. I feel like I found myself in situations which would make me miserable and then all the good words flow out. It works too.

At what point though do you need to drive that particular muse to a bus stop and let them go? (See.. that is JpK fun cause a lot of that record was written on busses. I’m so fun. Look it at me. I’m fun.)

Fun.

Anyway…. Right, New Years Misery. Got it.

And by reading this you recognize that this whole process starts again. I did not create this blog as a marketing tool. Though should have. Its medicine.

And here we go again. New record that I have been sitting on has started recording, and again in a similar format to the last: obsession and excess headphone equalizing.

And when I follow myself up that path up my own bum, I will come here and complain, cajole, or worship.

Come on along.

Testing 1…2….Testing 1…2

30 Days At The Crossroads – Part 10

Such a strange morning. Another day heavy with grey clouds, the full breasted blush of Autumn now stick figures stretching into the void .  Sipping hot coffee to still the shudders. I feel off planet, an alien hologram of myself. I cannot shake it.

 I have no recall of writing that sentence last night.

Wrapped in an assembly of weather warm fabrics, the chill was bearable. I busied myself with a running list of the things I would buy when the money comes. I must have passed out during the travel section as I remember the image of blue water and black sand. Then nothingness.

I heard music.  A melody. Repeating and beating louder between my ears. I assumed in my sleep I hit something on my phone.  My phone was off and still resting on the seat. I knew it wasn’t the radio as the keys sat next to the phone. And a assembly of melodies converged in my head, growing impatient.

I tried to focus but it was all surreal. There was something familiar within it. Eventually I recognized was that all the melodies, converging, crossing, swelling, were all sung in my voice. Falsetto and low gravel, every instrument was my instrument. My voice doing things I could never imagine.

Then oblivion. And I woke up in my car.

__________________________________________________________________

Is a caterpillar aware of what it is becoming, the wings it will grow, the colors it will bring?  Is a bug aware of what it will become right before it hits the windshield?

For better or far worse, change comes to every creature on the planet.

Which is as reasonable a way to describe the last two days.

The melody. It slithers in the back of my head until I sleep, and then it struts. Incessant. With a strong hook.  A good beat you can dance too.

When I awoke with the melody beaming in my brain, I was compelled to grab my guitar and make something out of it. It was intimidating. Like being given a live check for millions but having a fake ID.

I found my way to a friend’s house who was sweet enough to let me shower and get myself together. Being flush with real indoors and genuine heat, I put myself on the couch, broke out my pad, my pen and my digital recorder. And started to play.

It was the strangest feeling. My fingers worked their way around the tune and added swerves and curves. It wasn’t  conscious. The less I thought about it, the more I noticed that I was playing guitar in a way I have never been able to play.

I hack at my guitar, beat it into submission while screaming out my precious words. This was different. A near genius level of altering and repeating the notes , repetition, repetition, repetition.  Hypnotic notes flowed from my guitar while I barely considered where this skill came from.

It was said that Robert Johnson disappeared that day on the Crossroads only to appear a few years later with an ability to play that shocked folks who knew him. Some said it was the work of The Devil. Some said it was the work of hard and focused learning.  I had not practiced in weeks.

I was not thinking this at the time. I was not thinking at all.

I felt myself breathing, lungs inhale and exhale. I felt the weight of the guitar on my knee, the scent of candles burned down days ago. Everything within my physical body became acute. Detailed. I felt the sun shine on my back, the deafening drip of a faucet somewhere.

My fingers worked and my voice worked with it. The more I played, the more distant I became from playing. It was instinct. It was flexing  knowledge I never learned.

It was a gift.

ROBERT JOHNSON (1911-1938). American blues musician. Dime store photo from the 1930s.

30 Days At The Crossroads – Part 10

30 Days At The Crossroads – Part 9

Dusk comes to the crossroads. A decided chill in the air as we press through November, and not having the finance to run the heater, I am layered in most of the clothes I brought.

Such a strange place. I feel invisible here. I expected that some local cop would eventually pull up and check my purpose. I thought that the folks who travel this route would be gawking at me, wondering what exactly I was up too. I have not seen a single person even look in my direction. It is solitude. And it should not be.

Things like this make me wonder. Is it this place, so often driven that it becomes automatic reflex to focus on the road? Is it my purpose here that allows a spectral anonymity?

It is a strange feeling to be in a wilderness while being about a 8 minute ride from a WalMart.

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Beyond the half way point of November and no signs of progress. No nightly visitors, no pens of flame or blood. Just waiting causing me to question whether this is my residency in Hell. If that is the case I could do worse.

It is sunny today. Most of the leaves have left. The lovely burnished red of the foliage replaced daily with naked branch and blue sky blooming. The grass going from summer green to earthen tones.

I know the rhythms of the seasons. I have lived here all my life. This land of Devils.

That is not said as an opinion. New England born and raised.And always driving distance to some place with ‘Devil’ or ‘Hell’ in the title. As far as I recall, this was Puritan lands back in the beginning, and anything that was considered unusual was named unnatural. And a place where mysteries let loose. Devils were always about according to the Puritans. And names such as Devils Den, Devils Hopyard, Satans Kingdom, Hell Hole were given to the places that pricked at the cosmological conscience were warned away from. 

The country, the USA, started on this side (meaning East)and so the oldest and more arcane history comes from here. It gets in your blood here, the dirty ground of real history. It redeems your daylight and electric candles as weapons against the cold Yankee nights.

There is blood in the ground here. Older blood sunk deeper into the soil. We have attached to our homeland witch hunts and Native American massacres, famous murder and forgetful grounds. As a kid, I ate this up. The book I would always own was the collection of Yankee Magazine Myths and Legends. There are vampires in Jewett City, mysterious ‘BOOMS’ out of Moodus, bodies buried beneath New Haven Green, the Melon heads stalk Dracula Drive in Yourtown, USA. Every part of the country reflects its age in its fears, whether it is roving gangs of homicidal hippies in the California hills or dead shot long dead gunslingers in the west.

Here, our history is longer and fears more traditional, rooted in mystical depths. And that brings us to Hell.

We use the tools we have available to review any threat. In these modern days, mysteries are knocked down with regularity. Science tracks the phenomena, action and reaction and creates a hypothesis. The concept gets debated, back and forth, sometimes for centuries.

Without the science, we are left with faith. What someone wants to believe, someone will believe. If you believe your suffering will allow you a better view in Heaven,you cannot be dissuaded. If someone avoids the simple carnal pleasures for fear of dropping down into Hell, you will not be convinced. Even using plain science, where facts are not negotiable, people will see what they want to in the results and base their opinions on this flawed logic. And will not be unconvinced.

The Northeaster woods crawl with witches and boil with entrances to the abyss. The shore speaks of ghosts of pirates and haunted lighthouses. The cities whisper with murders and long held grudges coming to boil. We are cold people, in a cold place. As cold as the stones that sit in our multitude of cemeteries. As cold as the bodies that lay beneath.

 And we will not be unconvinced.

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Cloudy night with a glow of the Moon distant. Deeper shadows round the crossroads tonight.

What will it be like when I am rich and famous? What will it be like knowing what waits when I eventually flame out completely. Is having nothing an audition for losing everything?

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I have a song in my head. It shook me from a dead sleep. That has never happened before.

30 Days At The Crossroads – Part 9