Maybe to bring up the fact that it will be stream able the following day on the replay through Cygnus Radio at Noon (https://cygnusradio.com/)?
Of course not, Silly. But do listen.
This post is about growing up in the shadow of this particular 50,000 Watts station and why being featured on Sunday nights makes me feel like I have magic shoes that allow me dance on ceilings.
When I was growing from boy to older boy, before all of my comic books were traded for a single Alice Cooper ticket (it is a great Rock and Roll story and a poor plan), this station is why.
It was the King Biscuit Flour Hour and the show was ‘Black and Blue: Black Sabbath and Blue Oyster Cult).
I was about 12 at the time and comics were my life. I was into the X Men (as any right thinking outcast kid in the suburbs should be). Everything was comics. They covered my walls, my few friends were collectors and we would trade all day long.
So, a quick study of this is I was a kid who was into fantasy. Not the wizards and sword and sandals stuff. The deepest I could go into that vibe was the Frazetta posters that also adorned my tiny teen bedroom. And I’m not convinced I hung those there for any reason than I was 12 and the girls started to interest me.
This was my life. My parents even brought me to my first Comic Convention which was NOT a Comic Con. It definitely had more the vibe of the Waterbury Record Shows (on Sunday Mornings!) held at Ramada (or w.e.). Meaning it was generally middle aged dudes who smelled foul.
It was not until the Waterbury Record Shows that I realized poor hygiene was a tactic. Smelling bad was an excellent way to make sure nobody stands to close to you as you are digging for gold among the crates of vinyl.
So I was a nerd, but so were you, don’t lie.
I had always had older brothers and sisters and cousins who brought around music. Despite my young age, I was raised on Yes records and first albums James and I received for Christmas which were ‘Queen: Live Killers’ and ‘Aerosmith Live Bootleg’. Also an 8 track of ‘David: Live’.
Which if you boiled down the elements, you get my musical career.
So I was aware of rock music, considered myself a fan but it was comics. Until that Sunday Night ….
I was getting ready for school and had 99.1 Rock on because I believed that was what I was supposed to do. I barely owned any records of my own aside from a few single 45’s my Dad would get for James and I whenever he hit it in the Lottery. Understand I am not talking about ‘Lottery Winners’. That term itself is an oxymoron. If he made a few bucks on the horses or daily numbers, we would know when we received a 45. I remember my first one was Thin Lizzy ‘The Boys Are Back In Town’ and James opted for David Bowie ‘Golden Years’
(Which if you boil down the elements….etc.)
So it was 99.1 Rock Radio on all the time. Dr Demento was likely what brought me there. The real prize was ‘The King Biscuit Flour Hour’. In a pre-YouTube universe this was where you heard performers live. It was the only way, at the time.
So, getting ready for School Monday on a Sunday night and the show starts. The opening sponsored announcements. I barely paid attention.
Then the bell.
The fucking bell changed everything.
On the Heaven and Hell Tour. Opening number ‘Black Sabbath’. I knew none of this at the time (my sister listened to Volume 4 which when I hear again I knew every word without knowing I did).
All I knew was the sound of wind and rain, howling and the Bell. My ears perked up like a dog who heard a can being opened. I sat right down and stopped everything. The World itself stopped spinning and all focus was on me and my speakers.
This is a month of personal Celebration. Anyone who knows me knows that I wait all year for this jewel: through the sour Winter, the shitty Spring, the unbearable Summer just to be delivered to these shores of Autumn goodness, starting with colors in the trees and ending with the crunch, crunch, crunch of leaves. I live for this.
And of course…Horror. The fictional kind. Not the ‘walking around in a plague ridden wasteland while zombies are flying US flags’ type of horror. (Note: VOTE!)
Though sometimes a movie walks the line so expertly that you can not …not believe in the story.
Its not new news that many horror films are socially conscious. Zombies = Consumers. Slashers = degrading morals of the new generation. Godzilla = Amazon. But when you base a fantastical movie with cue and current social issues…and film it in the Found Footage style….something bigger can come from it.
A note on Found Footage: I have a problem. It is not that I don’t like Found Footage…it is that I LOVE Found Footage and will watch every terrible Found Footage movie that gets released. And many of these are bad.
I always feel a kinship for these unknown horror directors who somehow cobble together the money to make what is the cheapest type of horror film. You just need a few friends, a few actors and an imagination when it comes to effects. It is really a problem for me.
I will die of this sickness in time and expect my grave to be plundered by drunk teens with Go Pros…but I will be waiting for them….
Not why we are here.
This is about Savageland. You can find this movie steaming for free in many places and I suggest you take 1 hour and 20 minutes out of your life.
But understand….you can not escape from the monsters in this one. Cause we are them.
The story takes place in Arizona. I never had a concept of Arizona in my brain. I knew it was hot which was enough to cross it off my global checklist. I did not know it bordered Mexico. I did not know until 2016 that there was a pretty healthy redneck population.
A person who I trust once told me it was the worst place on the planet. I believe her now.
The story is put together as a TV Style documentary with old news footage and current talking heads, police and mourning families It tells the tale of a massacre that occurred in Sangre de Cristo (don’t look it up … the town if fictional too) where one man went mad and killed 57 men, woman and children in the most awful ways imaginable. Which was deemed as impossible as that much mayhem would need a team of killers in running shoes … but you see…he was Mexican.
The movie is rife with people speaking to how our Country was being over run by said Mexicans and many people say terrible things during the interviews. This was pre Trump by one year BTW….and that speaks volumes. Wonder how we got here? There are parts of the Country that were ALWAYS there and waiting.
So one impossible act, with one day laborer slaying an entire town. Except…. He took pictures. And what is on these pictures does not work with what he was ultimately electrocuted for.
You need to watch this. I’m not going deeper into it cause … you need to see this. It’s a great Horror movie.
The terrifying part is that thought the horror is faux, the attitudes, the xenophobia is not. And that is more chilling than the scariest thing crawling form the deepest darkest swamp.
It is 2020. You don’t need a costume this Halloween. Just wear your normal street clothes. We are the monsters our parents warned us about.
So, cracking open the Nu Music Marketing 2020 Bible (Do not look for this. It doesn’t exist.) it looks like we are up to the Bio section. Prove your worth in under 300 words.
Using words. Stupid words.
I like words as anyone who happened to read this before will know. Not necessarily correctly spelled words. No words that have never existed before I forced them into some public dialog. Words are flexible and fun. Are they entertaining? Yes. Can they describe the total picture? Perhaps not.
When considering what I wanted to say about myself and CiC, I pictured creating a hieroglyphic bio, something with dogs and coffee and sunrises and stars and more coffee. I like coffee. Something that would bring the reader into my fractured world of…words. Without words.
Have you noticed if you say the word ‘words’ over and over and over again, it loses meaning? It is a sound, but not really a word. This is after repeated applications.
Anyway…. words (see?). The practical plan for Bio writing is simple:
List your accomplishments (actual not imaginary …. Though it’s only words, right? So, who cares? The Music Business cares, that’s who! Fly right!)
Describe your sound (though its accurate, I don’t think my genre tag of ‘Sounds like two robots f*cking’ will please the Overlords of The Music Business)
Always written in third person. (I prefer 5th Person because from a fifth person perspective, one starts to “feel” the system in a different way, recognizing that one’s own perspective on and in the Anthropocene is merely a perspective, which itself is a perspective, which in turn is a perspective. Am ’I Right?’
List 2 or three influences (OK, so I’m opting for Poverty, Validation and The Mountain Goats)
Always list what is happening RIGHT NOW!! NOW!!! (I am endlessly pushing a stone up a hill for eternity. Forecast for tomorrow: the same damned day)
List any Music Business contact you have. (I know Elvis Costello. Well I saw Elvis Costello. From a stage. Does that count?)
Be Engaging! (Fu* k Off!)
So I balance all of this sage advice with the fact that …well…words. Ya know? You don’t? Let me explain…
So before I write a real Bio for the Music Business I wanted to try one here:
Cursive is Code, or CiC for short is a new group featuring singer / songwriter Jason P Krug (Award Winning Mountain Climbing Professional Bowler who is three inches taller than his listed height) and Julie Kay (sweetest patch of grass on the Earth and a noted Baker / liberal nutjob).
Together and with their previous band The Grimm Generation they have knocked out Muhammad Ali, swam the English Channel, tamed a wild beast with a song…and some drugs…Lots of drugs.
The Cursive is Code sound has been described as ‘Who?’
The sound is based on their love of Sammy Davis Jr (early work), Ministry and that one song from that one move…what is that song…dammit….
This past Saturday was like most in the Summer of 2020, this Covid Summer: hot and humid, Saturday Morning roads a buzzing with trailers and boats, nothing to do anywhere. So we have taken to long rides, good coffee and a playlist that gets created Saturday Morning.
I am always in charge of the Playlist, but serve up a helping of what makes my Girl tap her foot. Oddly more often Boy Rock like Janes, Rage, Soundgarden. She is a girl too. Despite this.
It is a team effort.
My own Saturday selection tend to run the gamut of British Glam and of course, some Goats. And a selection of what came out new that week, whatever it may be.
When you meet someone that you are supposed to meet, like in a real and lasting sense, you notice that as time goes by you tend to pick up on the musical history of your mate. Because everyone wants to hear something that makes them happy, makes them shake, even makes them sad.
It is personal. But if you spend enough time with someone, you find yourself being drawn into those same reactions.
And one of those reaction, which can not be underestimated, calculated, figured is joy.
So this past Saturday I set up my list and included some LCD Soundsystem. Julie and Carmen tuned me on to them when I still assumed that they were something I would not care for. And yes, assumed they were British.
LCD is outside of any style of music that I have taken on. Its dance music, with a real working brain…but the dance music aspect I could not wrap my mind around. It was like a buzzing all around me: a quick song caught in the kitchen, a song that popped up on Sirius….and when I would hear it, the reaction was the same: WTF Is that? (the only other band I had this same reaction too was TuneYards. Whenever something would pop up that I loved and was scared by, it was always TuneYards.)
So I downloaded the LCD Soundsystem final show, the MSG show that I would NOW kill a man to see. At the time I was unfortunately blissfully unaware.
But Julie was there. She was there and had the still pefect T Shirt to prove it. She was there.
So tripping our way through the Niantic area a song came on and she turned it up loud. Real Loud. The car shook. And the song began….
It was the live version of ‘North American Scum’ with additional assistance of Arcade Fire screaming along to the chorus. It was enthralling. Incredible. The road washed out around me as I just let go and whooped along.
It was pure joy of music too loud. It was the actual Bliss of brilliant song and brilliant band, at the tip top of their absolute magic and powers.
It shook me with how beautiful life is. How lucky I am to hear this song on this day. The genuine thrill of being genuinely scared by music.
The windows came down and Julie drove faster and faster. The world around seemed to slow. There was nothing but Julie and Me taking off for unknown galaxies in a little blue rocket.
I remembered what I should remember every day: This is what we get. Guard your bliss with more passion than you guard your money.
So you decided to purchase Cursive is Code’s debut record ‘The State Enforced Renaissance.’
Good for you! I like a person who buys records. Especially mine. I’m cheap that way.
Just as a primer I have decided to put a guide together to allow you get the most out of the Cursive is Code experience.
Despite the cute cat videos and general goofy mayhem, this is not a record for kids. As noted, the themes of this record are Sex, Drugs and Rock and Roll. In what order depends on the song. The sounds will make your kids dance about in arrhythmic patterns…maybe a bounce or two…but do not let them look at the liner notes (does anyone remember laughter…ummm…liner notes? That is a Classic Rock Joke squared). There are a few swears that will be bore out when we get to playing out live at which point, I will swear like a Redd Foxx record. Naughty stuff, bad stuff, likely about your mom.
Fact is, the powers that be (meaning the companies I paid to post this) already put that ‘E’ on the record based on the song ‘It Could Be The Drugs,’ which was why I changed that song’s title in the first place.
Legal: Cursive is Code does not accept responsibility for your kids turning into Rock Stars.
What do I feed it?
Nothing. It is a record.
Where is the best place to listen?
This record was designed to create high energy, rollicking, and shimmying back and forth. Dance to it. Drive to it. Cook spaghetti to it. Fall into La Dance De La Fornicato with it, hopefully with a partner. This is NOT Sunday Morning Music, except maybe ‘Our Future Is California.’
Is there a narrative?
Excellent question. No.
What is it about?
The meat of the Cursive is Code sandwich is the history of being a local light on the scene far past one’s due date. But that is not exactly what ‘The State Enforced Renaissance’ is about.
The idea is to combine this and the next record into one big extravaganza. But then I read on Hypebot that extravaganzas are not in this year. I almost did it anyway as I am an artist. No one can tell me what to do with my art, including producing a record so dense that an average listener would fall right down with the weight of my pretension.
I did not do that. Look forward to my posthumous collection where I will unleash this particular Kraken.
No. For a change of pace for me this record is about…relationships. Yeah, I know. I have one note and I know how to whistle it.
But unlike the lovely and depressing Zen record, this one is about the good and the bad parts of lovin’.
It contains a rare actual love song to my band mate (and Mate) Julie in ‘Reward Animals.’ ‘We Kick Sparks’ is also a love song, but a bit more about adult lovin’.
‘The Wrong Playlist’ is the anthem to being in way over your head love wise and the results.
‘Our Future is California’ is the attempt to say the worst things possible in the sweetest voice I have.
‘The Deleted History Of Us’ is a modern love song…wait…. Did I put this and ‘Wrong Playlist’ on the same record? They are both about the same thing. Fine.
‘The Grand Libido’ speaks for itself, obviously.
OK, You have convinced me. Where can I find this record?
I will unleash the list in a moment. But send us emails at CursiveisCode@gmail.com and you can have such claptrappery as this popping up in your mailbox as the mood hits.
To everyone who already made a little space for this record….we deeply appreciate you. To those that haven’t: Click…buzzzzzzzzzzzzzzzzzzzzzzzzzzz
A gracious and salutary ….ummm.. salutation to you, Cursive Cabal.
I hope this note finds you fat with money, free with love and a good meal awaiting you. With the Gods. Or your Dogs.
So today, as we slide from post apocalypse plagues to a newer (and yet far older) apocalypse, we are here to discuss voids.
Let’s call it March. 3 Months and change and everything went upside down. A world most of us never expected…and the ones who did expect are SUCH a drag to hang out with.
90 days. 2100 Hours.
So what did you do with your void? Empty space fills the bowl that one held hilarity, kicks, communion … and we are on our own.
Did you gain weight? Knowledge? Has familiarity bred contempt? Catch any new shows?
I was getting busy when the quarantine hit. I lost Hogan and knew that if I did not get my head together quick…well, I had no idea what that result would be. After the ceremonies, Julie and I got down to it, building the beats, laying down tracks upon tracks, gittin’ all fancy. Guitars added, guitars subtracted, Julie building big brassy counterpoints and high infections of melody.
Because we can dream and we can build, it gives us control. We can spit frustration into a vocal, over-distort the guitar and then do it again, learn bass.
And when you’re done…. there is still the void.
My concept of how to make money making music was probably outdated before I picked up a guitar. The main thrust of it was ‘get out there!’ But that was never my …. desire. It all came back to the lifelong argument Dave and I would have.
He said that if you play everywhere, and are good, people will know you and you can build a following.
I said that you will burn out in the bars before you ever get heard and there has to be a better way. A better mousetrap.
The debate rages still, now more piquant as the venues are gone. As is D.H.
And everyone is experimenting with building better mousetraps game now.
Look beyond this day, this year, and know someday this will be regarded as a truly creative period for art.
A State Enforced Renaissance.
We reach out how we can. Social networking is just too convenient and too easy, which is why it is absolutely over-saturated with everyone everywhere.
It is also a true gut check for the times that you pour your heart into something and it gets overshadowed by a particularly cool cat pic
But Fuck. Life is hard all over. Especially these days. Let us not carry things without weight.
And if the Gods are kind and the cats are ugly, maybe you can be heard.
So…what have Cursive is Code done with their Void?:
Songs: Follow the link to check out the available Cursive is Code songs on Soundcloud. This is 4 songs…and I think a few more will be added and this will be available for purchase. Like the songs if you like, love us if you like love (?):
I hear the weather is funny in Minsk these days? Reply?
Excellent. Welcome to The Cursive Cabal. Your passage is booked. Enjoy the refreshments.
So as April passes into May, we find the reawakening of this World. Though to be fair, we are quite busy and may miss this. Or this eternal gray may kick rocks into another year of fear and trembling.
I have a record to push. So do you, likely. Or child to raise, charges to face, people to kiss (from a safe distance). We all have our projects.
So today is a peek behind the curtain, beneath the sheet, under the cupboard, over the …. whatever.
Today’s subject is songs. I had a point to make before I was reduced to a blubbering mess in my last post. This is that point: Songs are special.
That’s it! Good Night Folks!
Ok…… not. When I consider what art allows us, one thing that I don’t recognize within the forms is how something someone else created becomes ours. Personal property. A line can bring you to that Big Breakup. A melody to the wedding before.
Maybe it’s the long versus short from. It could be poetry is a reasonable comparison but no one is reading poetry out loud when your cruising around on some Friday night, of your youth, of your post youth, your pre passing.
Songs are frames for the things we want to remember or need to forget. A wild rave up attached to your misspent youth, distorted electric guitars carry us into adult hood, sweet acoustics mean Sunday Morning, shitty acoustics means Friday night.
Songs operate as placeholder for emotion. They meld with the circumstances in ways we require.
I need songs…. but these songs need words as well. Every song is not Leonard Cohen, but if they were, what would we do with Rockabilly? There is genius in the dumbness of Rock and Roll words. And the beat!
Songs mean a lot to us here at Cursive is Code. Not just the act of creating music, but attempting to share our moments and maybe hit upon yours. Or maybe just create an earworm that will haunt your day. Or a lyric that seems raw and simple but holds galaxies within.
We released our first song on Soundcloud about one month ago, with new songs following every two weeks. There are three there now and a new one next week. Where?
So I figured I would take a moment and discuss what’s up there now. We will add a new one next week…and then wait till these get heard. We are very proud. And why give the milk away when the cows a slut.
Is that how that goes?
The Grand Libido: And thank you all for weighing in on that first cut. It’s our first ‘hit’.
The know the actual genesis of this song was it was a Grimm Generation song, played out live absolutely once. I also believe the title was inspired by The Danbury Lie’s The Great Jester. I was always a fan of The Lie. Always reminded me of weird metal on acoustics. The guitar harmonies make me nostalgic.
What is it about? Dirty stuff.
Julie remembered this song from Grimm and was maybe part of the movement to go electric. She wanted to see this done. And she was right. It is a barnburner.
It Could Be The Dancing: Otherwise known as ‘It Could Be The Drugs’ till I was rebuked by The Manor.
This one …. theeeees song….yeah. It is a statement. And maybe a cruel one. Maybe self-abuse. But hey. That’s Showbiz.
This song, part of the eventual collection about being a unfamous musician has a lot of clues for those who have treaded the boards, spent countless USD on mailing actuall press kits with real cassettes. This is about the grift of the music business. It takes on the City gigs in Manhattan (Bring Your Friends! Serious-fucking-ly!), the effect the tambourine has on drunks, the uninjestable sadness that we can all be replaced by a dude with a DJ Deck and my favorite bit of reality in the form of the line:
‘It is Independence Day
For the 1200 Bands who will start up tomorrow
or the 1200 bands that broke up today’
It hurts. But it is good for you. Look around.
And to boot I snuck a good verifiable Grimm Generation reference in.
The Deleted History Of Us: So far the best recorded one. It is hard to believe this is mine. It is very different. This is not about someone in particular but it is about everyone, conversely. This is about the simplicity of ending the online relationship (even with real flesh and blood non catfishy type people) with that gesture, that simple click. Click. Do it. CLICK. Do it!!!!! DOOOOO ITTTT!!!!
Yes My Cursive People. Now we move along to the next challenge: how do you sell a record when the word record doesn’t mean record anymore? How do you get gigs in a pandemic? How do you cut through the din of Social Mania?
Write a Blog? Nooooooo….
Till next time my friends. Look for Cursive for Code to pop up in the weirdest places.
And he was not wrong. DH and I had this conversation over years, decades, lifetimes.
The simplest breakdown of the conversation was what are we trying to provide for this World, beyond our sunny personalities, beyond our genius swearing. What is it that we have that to share?
4 chords and a truth. With something catchy to chase the bitter with the sweet. Simple sentiments or complex linguistics. Just make sure the hook irresistible and the length short.
I am a songwriter. I am not a poet, despite my best poses. I don’t write novels as I consider how many songs I can write in that same amount of creative burst. I deal in volume (was that pun intended? I leave that to the reader to consider) and for every bad song I make, I do write a few fine ones.
Of course, that brings into question what you consider a song.
I don’t preach on this subject as I believe Pop Music is a commuter train that we all use…for a time…and then it passes us by and gets delivered to those who need it: Kids. If I don’t like the genre you work in (and I do not), I don’t believe my genre is ‘cooler’ or more ‘rad’. It is just mine.
What I create is words with (hopeful) meaning, chords that soften those often stream o’ consciousness thoughts and something to listen to for 3 minutes and 30 seconds.
I have often wondered what it is like to excel at a particular instrument. It has never been something I have ever been overburdened by. I admire musicians…I love musicians…. but I cannot say I understand them.
And vice versa.
I miss Dave. That all this mess of words is saying. I would have wrote him directly if I had the ability to do so.
Hey You! Yes YOU! You in the glasses! (that was just for me)
Yes I have a great opportunity, big payouts, we finally take down ‘The Man’. Just you and Me and a couple hundred thousand friends. We’re gonna cabal the night away.
That’s why you don’t see this blog anywhere else. This is just for Us. Shhhhhh….. You may note from my usual method of screaming ‘PAY ATTENTION TO ME!’, this ain’t that. Sure, I will post on walls (even a bathroom walls but the number always gets wiped away…) feeds, pages… if I wasn’t so lazy I would post bills and hang flyers….but going out side is so 2019.
Nope, its just us now. So chilllll…relax…let me drop some knowledge. This is the birth of the Cursive Cabal.
So…if your reading this….you’re interested in what I have to say. And if you read any of my previous blogs, you will note I’m not exactly a deep thinker. This will continue that grand tradition. But…more honest. Cause I am among friends here.
So….Cursive is Code. This is the new band, this is my new Magnetic North, this could be the last band. Who knows, right? Cause not all the members of this band will make the record. If you read this before, you know exactly what I mean.
Here is the tale: So when Grimm kicked the bucket, I decided to follow my expected route of Singer Songwriter sensitive heartbreak route. And I brought in Grimm Cello player Julie Kay to help me. I never discussed this before, but she helped me beyond any expectation I had. It wasn’t simply the beautiful playing or the Astral Weeks style bass thing she brought (which ticked off one of my musical fantasies). She was playing hurt. She was scheduled for a surgery…and she came down to the basement and sat uncomfortably, in genuine pain…and would grin and bare it.
If I had…if I was better at being human….would I suggest she not come, not put herself through excess pain? I can say we don’t know…I can also say it made no difference at all cause she was going to come anyway. She believed in what we were doing. She believed in Me. She would work her way down the stairs to sit in my bachelor pad (which looked a lot like a 13 year old’s basement except more cheesy keyboards…I think that was captured in a video somewhere….) or take a trip out to Collinsville to work on some songs with old music mate Adam Hagymasi, who did about half of everything on that record. If it wasn’t an E Bow (That’s Hogan) or fumbly acoustic (Moi), everything else was Adam. But Julie would take these trips with us while we worked out the basic tracks.
The record turned out good. I still have some free downloads if you want one.
This was….or wasn’t…I cant be sure…when I fell in love with Julie Kay. We did not connect till about a year later. And…Wow. We grew much closer. And live happily.
Anyway….yes, this is more honest…more deep .. than I expected to go…
So, a Misery Monkey like myself, now all flush on new love… time for my next record. I mean…I live with my band! (Julie) It was a test of my theory that writers write best when mostly miserable. And I was right! Unfortunately…
I was blocked. New happiness made no songs. And I somehow wised up to the fact that forced unhappiness is just dumb, dumb, dumb. Look around now. You just never know.
So I lived happily…and even the anguish of not creating abated a bit. We formed a band based on the acoustic sound, played some shows, had some fun. I was writing new songs but I just could not get motivated to do something with them.
Meanwhile….a bit of history. Dave Hogan and I started together in our first band….and played together from project to project the entre time I knew him. Our musical tastes were different…and always had been since age 20….but we came together on a mutual love of vintage guitar rock and British Glam. So Humble Pie….Mott The Hoople…Black Sabbath….BOC…..despite the time and tides of projects and bands, the friendship was based on these fundamentals. I don’t mean that to sound tribute or light…sure we came together on a few bands and differed in so many ways…but the way we loved these bands was zealous. Religious.
And we had an often discussed plan, a goal. One more BIG rock band with me and him. He always wanted to just be a musical director in some project…and I wanted to re-use the voice I cam up singing with, less croon, more rock.
So I took this to heart and started writing again. It was not easy. It was Karma. I was always fortunate that I could write on a dime. It was my Super Power. Sure not every song was ‘It’s Alright Ma I’m Only Bleeding’ but I could attach a half formed thought with a half formed melody and shake some shit up. Not this time.
I had my concept. I wanted to write a series of songs reflecting Dave’s and my coming up through the local music ranks. Targeting specific gigs, specific experiences. The significance of this to me was that all these tales turn quaint when balanced against the entire industries apple cart getting upset by the Internet. All the old plans, the old expected results, the long time argument tween Dave and I if excessive gigging helps or hurts…. I had my concept. And dug into it.
It was rough. I will say that I had to return to rhyming dictionaries. I had to try every trick suggested on every writing site. In time…it came. It did not break out like a dam; it trickled like a stream but still filled the record.
It was not just the band concept I was working with…I also had the excitement of being happy and in love…so those songs were written right along.
So I bought an electric guitar and Julie played keyboards. Did I know Julie could play Keyboards? Not at all. Can she play? Like a MotherFucker.
Then a year in the desert looking for musicians. I had not done this…actually my only experience doing this was Grimm…. And CC and I muse that we still don’t know how we got so many people involved, taking trips out to Windsor and making something beautiful. This time was less successful, more anguish and wholly disappointing. EXCEPT….We found Dan. Dan plays bass, as well as banjo, classical guitar….and most important, was good fun to play with.
But the record was not getting made. No drummer. I worked on it with my vintage Korg Dr Rhythm Drum Machine (favored on RUN DMC’S biggest hits) and made a few tracks’, but others were beyond my rhythmic imagination.
Enter Julie, with yet another unknown talent on display: beat maker. After we upgraded the keyboard, out of frustration more than a plan, she started coming up with beats and we started recording properly. And it worked.
With unexpected results. The songs were danceable. I never created anything danceable unless you count bouncing uncontrollably as dance. Also….after working exclusively with acoustic for years…I was really digging the Electro Sound. It sounded vintage to a scene I never listened too. This was Julie influence. She opened me up to sound and brought those sounds right home to Deep River.
So now….Hogan. Weapon X (he would appreciate the comparison). And I sent him the tracks with a note on the envelope that exclaimed ‘Our Mott The Hoople Dreams contained within’.
And I was too late. And I will never forgive myself.
But Hogan was more than a friend and a stunt guitar player. He was a Saint. I never would have conceived of that when we were kids. But going to his funeral…the pure Love of all of his friends, the real heartbreak of losing a cat before his time. This record became important. Cause these songs were written with him in mind, his style, his background vocals. Based on experiences he and I both lived through…and lived with.
We often had discussion of we were just both legitimately crazy still chasing this same dream when every conceivable outlet turned against us. We always reached the same conclusion: We were.
I miss him every day.
Anyway….so back to Julie and Me and the record. We dug in….I played more guitar, more than I ever thought I was capable of….Julie brought out the strings and horns from the Juno….and we started crafting what would be and currently is Cursive is Code. The name came from a late night conversation tween Julie and Me of how generation of kids no longer recognize, much less can write, Cursive. That made it feel like a secret language, something shared among those who know.
Hello Beautiful. Yes, you. Hi ya doing, Sweetness? Since everyone is either pairing up or bachelor’ng up till the storm passes, I assume we can be a bit more…intimate. Right? Yes? Ja?
But maybe a bit of foreplay? Aww shucks, for you Kitten, anything. I know you can’t get enough of my blathering on like my opinion matters to anyone, so…this is for you, Hot Stuff:
I am a man before my time. I am version 5 of the model (of Man). I see the future and is the future.
I am The Omega Man. And guess what? So are you.
I was Social Distancing before it was all the rage.
Do you think I did NOT want to come to your gig / wedding / rescue? No, Sugar, I was training. For this.
Do you think it is easy walking around this brain with all of there genius thoughts and not near enough people to inflict them on? I had to wait.
It was a dream I had (that’s a lie; I don’t dream) that there would come a time when the whole world would see the appeal of the Curmudgeon. And now they line up at my door. Which I will never, ever open.
The very concept I hear tell of is how people need social interaction and are willing to risk their health to get it. The idea that restaurants and bars and casinos will close due to virus.
Yes, we are in the first 20 minutes of every zombie movie ever.
So since I’m all skilled and such and doing the Solitary thing, I offer some advice to those over grown with Social Engagements:
The Internet. The Internet gives madness and takes away sanity. Plus cat pix. But consider this: if you hear a guy in the park screaming about the coming Apocalypse, I don’t think you would take that as a viable news source. Now consider if you don’t see the park, don’t see the stool he stands on. Is he more viable? Now give him a Twitter. My point is people spread disinformation. Its not our fault, it’s fun! Do it! Do it now! The Earth is flat, Bigfoot exists, Wheeee!
Activities. What we rarely get is a place where the World stops and we have the chance to try something we never have. Like meditation or meth. What we have hear is a global pause button engaged. So what have you always wanted to do? You have a few weeks, maybe months, so turn off the TV and Make It Motherfucking So.
Go outside. Listen…I know. Outside is scary. But they have cool stuff out there. Sun (occasionally). Trees (a lot of those bastards). Grass (not yet). Consider this a time slip. You have gone back in time 200 years…or forward 1200…either way, no one is around. Skinny dip? Yes. Skinny BBQ? Yes. Skinny ride home? Sure.
Think Big. As noted, the World doesn’t stop for us very often. But here we are. So what new windmill will you be taking on? This is a freaky time. Aim high. But stay low.
Lets make the most of this Apocalypse. Yes, we will one day look back at this and think ‘What a time…’
…. or we won’t, whatever. Regardless…the Future Goes This Way ————>