Sunday Night Radio: What Is This That Stands Before Me?

Hello Beautiful. I will start with the most obvious question: Is this post a cheap ploy to bring home the fact that Cursive is Code (my band) is being played on the Mighty WPLR 99.1 Sunday night at 10 PM on the Local Bands Show (https://www.wplr.com/2020/12/10/the-local-bands-show-12-13-20/)?

Maybe to bring up the fact that it will be stream able the following day on the replay through Cygnus Radio at Noon (https://cygnusradio.com/)?

Of course not, Silly. But do listen.

No.

This post is about growing up in the shadow of this particular 50,000 Watts station and why being featured on Sunday nights makes me feel like I have magic shoes that allow me dance on ceilings.

When I was growing from boy to older boy, before all of my comic books were traded for a single Alice Cooper ticket (it is a great Rock and Roll story and a poor plan), this station is why.

It was the King Biscuit Flour Hour and the show was ‘Black and Blue: Black Sabbath and Blue Oyster Cult).

I was about 12 at the time and comics were my life. I was into the X Men (as any right thinking outcast kid in the suburbs should be). Everything was comics. They covered my walls, my few friends were collectors and we would trade all day long.

So, a quick study of this is I was a kid who was into fantasy. Not the wizards and sword and sandals stuff. The deepest I could go into that vibe was the Frazetta posters that also adorned my tiny teen bedroom. And I’m not convinced I hung those there for any reason than I was 12 and the girls started to interest me.

This was my life. My parents even brought me to my first Comic Convention which was NOT a Comic Con. It definitely had more the vibe of the Waterbury Record Shows (on Sunday Mornings!) held at Ramada (or w.e.). Meaning it was generally middle aged dudes who smelled foul.

It was not until the Waterbury Record Shows that I realized poor hygiene was a tactic. Smelling bad was an excellent way to make sure nobody stands to close to you as you are digging for gold among the crates of vinyl.

So I was a nerd, but so were you, don’t lie.

I had always had older brothers and sisters and cousins who brought around music. Despite my young age, I was raised on Yes records and first albums James and I received for Christmas which were ‘Queen: Live Killers’ and ‘Aerosmith Live Bootleg’. Also an 8 track of ‘David: Live’.

Which if you boiled down the elements, you get my musical career.

So I was aware of rock music, considered myself a fan but it was comics. Until that Sunday Night ….

I was getting ready for school and had 99.1 Rock on because I believed that was what I was supposed to do. I barely owned any records of my own aside from a few single 45’s my Dad would get for James and I whenever he hit it in the Lottery. Understand I am not talking about ‘Lottery Winners’. That term itself is an oxymoron. If he made a few bucks on the horses or daily numbers, we would know when we received a 45. I remember my first one was Thin Lizzy ‘The Boys Are Back In Town’ and James opted for David Bowie ‘Golden Years’

(Which if you boil down the elements….etc.)

So it was 99.1 Rock Radio on all the time. Dr Demento was likely what brought me there. The real prize was ‘The King Biscuit Flour Hour’. In a pre-YouTube universe this was where you heard performers live. It was the only way, at the time.

So, getting ready for School Monday on a Sunday night and the show starts. The opening sponsored announcements. I barely paid attention.

Then the bell.

The fucking bell changed everything.

On the Heaven and Hell Tour. Opening number ‘Black Sabbath’. I knew none of this at the time (my sister listened to Volume 4 which when I hear again I knew every word without knowing I did).

All I knew was the sound of wind and rain, howling and the Bell. My ears perked up like a dog who heard a can being opened. I sat right down and stopped everything. The World itself stopped spinning and all focus was on me and my speakers.

‘What is this that stands before me?’

What’s Your Story?

So, cracking open the Nu Music Marketing 2020 Bible (Do not look for this. It doesn’t exist.) it looks like we are up to the Bio section. Prove your worth in under 300 words.

Using words. Stupid words.

I like words as anyone who happened to read this before will know. Not necessarily correctly spelled words. No words that have never existed before I forced them into some public dialog. Words are flexible and fun. Are they entertaining? Yes. Can they describe the total picture? Perhaps not.

When considering what I wanted to say about myself and CiC, I pictured creating a hieroglyphic bio, something with dogs and coffee and sunrises and stars and more coffee. I like coffee. Something that would bring the reader into my fractured world of…words. Without words.

Have you noticed if you say the word ‘words’ over and over and over again, it loses meaning? It is a sound, but not really a word. This is after repeated applications.

Anyway…. words (see?). The practical plan for Bio writing is simple:

  1. List your accomplishments (actual not imaginary …. Though it’s only words, right? So, who cares? The Music Business cares, that’s who! Fly right!)
  2. Describe your sound (though its accurate, I don’t think my genre tag of ‘Sounds like two robots f*cking’ will please the Overlords of The Music Business)
  3. Always written in third person. (I prefer 5th Person because from a fifth person perspective, one starts to “feel” the system in a different way, recognizing that one’s own perspective on and in the Anthropocene is merely a perspective, which itself is a perspective, which in turn is a perspective. Am ’I Right?’
  4. List 2 or three influences (OK, so I’m opting for Poverty, Validation and The Mountain Goats)
  5. Always list what is happening RIGHT NOW!! NOW!!! (I am endlessly pushing a stone up a hill for eternity. Forecast for tomorrow: the same damned day)
  6. List any Music Business contact you have. (I know Elvis Costello. Well I saw Elvis Costello. From a stage. Does that count?)
  7. Be Engaging! (Fu* k Off!)

So I balance all of this sage advice with the fact that …well…words. Ya know? You don’t? Let me explain…

Blah blah…. blah blah blah blah blah blahblah blah blah blah blah blah blah blah…blah…blah blah.

You see? Sure you do.

So before I write a real Bio for the Music Business I wanted to try one here:

Cursive is Code, or CiC for short is a new group featuring singer / songwriter Jason P Krug (Award Winning Mountain Climbing Professional Bowler who is three inches taller than his listed height) and Julie Kay (sweetest patch of grass on the Earth and a noted Baker / liberal nutjob).

Together and with their previous band The Grimm Generation they have knocked out Muhammad Ali, swam the English Channel, tamed a wild beast with a song…and some drugs…Lots of drugs.

The Cursive is Code sound has been described as ‘Who?’

The sound is based on their love of Sammy Davis Jr (early work), Ministry and that one song from that one move…what is that song…dammit….

Currently CiC is writing their bio.

Care and Feeding for your ‘The State Enforced Renaissance’

So you decided to purchase Cursive is Code’s debut record ‘The State Enforced Renaissance.’

Good for you! I like a person who buys records. Especially mine. I’m cheap that way.

Just as a primer I have decided to put a guide together to allow you get the most out of the Cursive is Code experience.

Parental Warning

Despite the cute cat videos and general goofy mayhem, this is not a record for kids. As noted, the themes of this record are Sex, Drugs and Rock and Roll. In what order depends on the song. The sounds will make your kids dance about in arrhythmic patterns…maybe a bounce or two…but do not let them look at the liner notes (does anyone remember laughter…ummm…liner notes? That is a Classic Rock Joke squared). There are a few swears that will be bore out when we get to playing out live at which point, I will swear like a Redd Foxx record. Naughty stuff, bad stuff, likely about your mom.

Fact is, the powers that be (meaning the companies I paid to post this) already put that ‘E’ on the record based on the song ‘It Could Be The Drugs,’ which was why I changed that song’s title in the first place.

Legal: Cursive is Code does not accept responsibility for your kids turning into Rock Stars.

What do I feed it?

Nothing. It is a record. 

Where is the best place to listen?

This record was designed to create high energy, rollicking, and shimmying back and forth. Dance to it. Drive to it. Cook spaghetti to it. Fall into La Dance De La Fornicato with it, hopefully with a partner. This is NOT Sunday Morning Music, except maybe ‘Our Future Is California.’

Is there a narrative?

Excellent question. No.

What is it about?

The meat of the Cursive is Code sandwich is the history of being a local light on the scene far past one’s due date. But that is not exactly what ‘The State Enforced Renaissance’ is about.

The idea is to combine this and the next record into one big extravaganza. But then I read on Hypebot that extravaganzas are not in this year. I almost did it anyway as I am an artist. No one can tell me what to do with my art, including producing a record so dense that an average listener would fall right down with the weight of my pretension.

I did not do that. Look forward to my posthumous collection where I will unleash this particular Kraken.

No. For a change of pace for me this record is about…relationships. Yeah, I know. I have one note and I know how to whistle it.

But unlike the lovely and depressing Zen record, this one is about the good and the bad parts of lovin’.

It contains a rare actual love song to my band mate (and Mate) Julie in ‘Reward Animals.’ ‘We Kick Sparks’ is also a love song, but a bit more about adult lovin’.

The Wrong Playlist’ is the anthem to being in way over your head love wise and the results.

Our Future is California’ is the attempt to say the worst things possible in the sweetest voice I have.

The Deleted History Of Us’ is a modern love song…wait…. Did I put this and ‘Wrong Playlist’ on the same record? They are both about the same thing. Fine.

The Grand Libido’ speaks for itself, obviously.

OK, You have convinced me. Where can I find this record?

I will unleash the list in a moment. But send us emails at CursiveisCode@gmail.com and you can have such claptrappery as this popping up in your mailbox as the mood hits.

To everyone who already made a little space for this record….we deeply appreciate you. To those that haven’t: Click…buzzzzzzzzzzzzzzzzzzzzzzzzzzz

(jk)

Amazonhttps://music.amazon.com/albums/B08BPM7Z1M?ref=dm_sh_6dcf-baac-dmcp-9599-bcc78&musicTerritory=US&marketplaceId=ATVPDKIKX0DER

YouTubehttps://www.youtube.com/channel/UCucQbyUI0JVbJ_6jD0IRYUg

Apple Musichttps://music.apple.com/us/album/the-state-enforced-renaissance/1520026802?uo=4&app=apple+music

ITuneshttps://music.apple.com/us/album/the-state-enforced-renaissance/1520026802?uo=4&app=itunes

Google Playhttps://play.google.com/store/music/album/Cursive_Is_Code_The_State_Enforced_Renaissance?id=Bwu2c2gchgh6tnp27shz52sebgu

IHearthttps://www.iheart.com/artist/cursive-is-code-34308964/albums/the-state-enforced-renaissance-105220567/

BandCamphttps://cursiveiscode.bandcamp.com/album/the-state-enforced-renaissance

Spotifyhttps://open.spotify.com/album/1zGZBOd7tko4WGk0dFE5HQ

Deezer: Your album is live on Deezer

MediaNet: Your album is live on MediaNet!